https://ejournal.unitomo.ac.id/index.php/ayumi/issue/feed AYUMI : Jurnal Budaya, Bahasa dan Sastra 2024-08-07T12:42:43+07:00 Siti Wulandari [email protected] Open Journal Systems <p><strong>ISSN (Print)</strong>: <a href="http://issn.pdii.lipi.go.id/issn.cgi?daftar&amp;1388381382&amp;1&amp;&amp;">2406-8268 </a>; &nbsp; <strong>ISSN (Online)</strong>: <a href="http://issn.pdii.lipi.go.id/issn.cgi?daftar&amp;1493893480&amp;1&amp;&amp;">2580-2984 </a></p> <p>Accredited based on the Decree of the Minister of Research and Technology/ Head of National Research and Innovation Agency of Republic of Indonesia Number <a href="https://drive.google.com/drive/folders/1bniOOURhTnmofB62zUvzjQeG55dofXPd?usp=sharing">152/E/KPT/2023 </a>Rank 4 (SINTA 4)</p> <p align="justify">AYUMI Journal is a cultural, language and literature journal published by the Japanese Literature Study Program, Faculty of Letters, Dr. Soetomo University Surabaya. This journal contains research results, scientific articles, and literature studies on Japanese culture, language and literature. We invite Japanese literature study program lecturers, researchers and practitioners to send their works both in Indonesian either English. This journal is published twice a year, which is every March and September. The deadline for submitting manuscripts for the March edition is January and for the September edition in July.</p> https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/7935 Konflik Batin Tokoh Utama pada Miniseri Kamen Rider Snipe: Episode Zero 2024-08-01T09:01:53+07:00 Rio Arif Erlangga [email protected] Wayan Nurita [email protected] <p>&nbsp;</p> <p><em>This research discusses the inner conflict experienced by the character Hanaya Taiga in the film Kamen Rider Snipe: Episode ZERO. This thesis uses Kurt Lewin's conflict theory and also uses qualitative methods as a research method, where the results of data analysis are in the form of descriptive word explanations. The technique used in this research is the observation and note-taking technique where the data source is analyzed and then notes related to the occurrence of inner conflict in the character Hanaya Taiga. The results of this research found that the conflicts experienced by Hanaya Taiga were type 1 conflict, type 2 conflict, and also type 3 conflict.</em></p> <p><strong><em>Keywords</em></strong><em>: inner conflict; Kamen Rider; main character; miniseries. </em></p> 2024-06-30T23:03:24+07:00 Copyright (c) 2024 AYUMI : Jurnal Budaya, Bahasa dan Sastra https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/7881 Analisis Kesesuaian Media NHK Easy News sebagai Fuku Kyouzai dalam Mata Kuliah Dokkai 2024-08-01T09:01:49+07:00 Marshall Irsyad Bima Muhammad [email protected] Febi Ariani Saragih [email protected] <p><em>Teaching materials are needed as reinforcement material in order to fulfil the learning competence of students. This study aims to analyse the suitability of NHK Easy News Media in Todai Easy Japanese application as a companion teaching material in the 2005 revised Minna no Nihongo</em><em> II</em><em> book for N4 equivalent students. This research uses qualitative approach with descriptive qualitative method. The data sources were all vocabulary and grammar in Minna no Nihongo Shokyu II book and NHK Easy News media reading texts using the theory from Arikunto as a determinant of the suitability of these variables. The data collection techniques applied were observation, documentation study and questionnaires to </em><em>two</em><em> lecturers and 67 students. Then, to analyse the possibility of success of being accepted as a companion teaching material, using the theory from Aisyah et al. This analysis research shows that NHK media has 85% on vocabulary appropriateness and 98% on grammar appropriateness. These results indicate that NHK media are "very suitable" as companion teaching materials. This is reinforced by the responses given by lecturers and students, the majority of which gave answers and were positive on each statement.</em></p> <p><strong><em>Keywords</em></strong><em>: </em><em>dokkai; Fuku Kyouzai; teaching materials; Todai Easy Japanese.</em></p> <p><em>&nbsp;</em></p> 2024-06-30T23:07:31+07:00 Copyright (c) 2024 AYUMI : Jurnal Budaya, Bahasa dan Sastra https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/8191 Gaya Bahasa Kiasan Tokoh Betsuyaku Hiroka pada Film Ryū to Sobakasu no Hime 2024-08-01T09:01:45+07:00 Ni Kadek Annora Dewi [email protected] Ni Wayan Meidariani [email protected] <p><em>This study aims to analyze the use of figurative language styles by the character Betsuyaku Hiroka in the film Ryū to Sobakasu no Hime by Mamoru Hosoda. Data collection in this study used the observation method. The method used in this study is a qualitative descriptive method using note-taking techniques. The theory used in this study is Gorys Keraf's theory of language style. The source of this study is the film Ryū to Sobakasu no Hime by Mamoru Hosoda which has 2 hours 1 minute 15 seconds duration. The results of this study show that there are 5 types of figurative language styles used by the character Betsuyaku Hiroka, including 1) Equation or simile, 2) Irony, 3) Cynicism, 4) Sarcasm, 5) Inuendo. The form of figurative language that is most often used by the character Betsuyaku Hiroka is cynicism. The use of cynical figurative language to demean, criticize or make fun of the physical, attitude and thoughts of the interlocutor.</em></p> <p><strong><em>Keywords</em></strong><em>: figurative; film; language style; stylistics.</em></p> 2024-07-16T20:16:15+07:00 Copyright (c) 2024 AYUMI : Jurnal Budaya, Bahasa dan Sastra https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/7614 Konsep Honne Tatemae Tokoh Utama dalam Anime Omoi Omoware Furi Furare 2024-08-01T13:42:31+07:00 Devi Haryanti Oktavia [email protected] Syihabuddin [email protected] <p><em>This study is a descriptive qualitative research with a phenomenological approach. The research delves into the concept of Honne-Tatemae used in communication in the anime "Omoi Omoware Furi Furare." The discussion in this study encompasses the application of the Honne-Tatemae concept and its functions within the anime. The data collection technique employed in this research is the note-taking method with descriptive analysis. The findings reveal that the application of Honne-Tatemae in this anime is utilized in various situational contexts, with its functions including avoiding direct conflicts, a desire to maintain social harmony, and self-protection.</em></p> <p><strong><em>Keywords</em></strong><em>: communication; cultural concept; honne tatemae.</em></p> 2024-07-25T19:49:11+07:00 Copyright (c) 2024 AYUMI : Jurnal Budaya, Bahasa dan Sastra https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/8309 Pesan Nonverbal pada Love Languages dalam Film The Wind Rises Karya Hayao Miyazaki 2024-08-01T19:48:05+07:00 Anak Agung Sagung Istri Pradnya Mahapurnayanti [email protected] <p><em>Love languages are communication patterns in relationships used to convey feelings to someone special. Acts of love languages often appear in non-verbal behaviors that strengthen relationships and help partners get to know each other. According to Gary Chapman, there are five types of love languages. Love languages behaviors are often seen in the film The Wind Rises by Hayao Miyazaki, which was chosen as the data source for this research.This research uses a descriptive analysis method to identify the categories, meanings, and functions of non-verbal messages in love languages actions in the film The Wind Rises, based on Yule's pragmatic theory (1996), Chapman's love languages theory (2010), Richmond and McCroskey's nonverbal message categories theory (2004), Danesi's semiotic theory (2011), and Knapp's non-verbal message functions theory (1978).The data analysis results show that the film The Wind Rises includes four of the five types of love languages: 1) words of affirmation, 2) acts of service, 3) quality time, and 4) physical touch. The film also fulfills six of the eight categories of nonverbal messages: 1) gestures and body movements, 2) facial and eye behavior, 3) vocal behavior, 4) time, 5) touch, and 6) environment. The meanings of non-verbal messages are influenced by the situation and condition of the interactions between the characters, such as sincerity, trust, harmony, and closeness. Their functions include: 1) complementing, 2) substituting, and 3) repeating.</em></p> <p><strong><em>Keywords</em></strong><em>: love languages; nonverbal actions; nonverbal messages. </em></p> 2024-07-31T18:59:39+07:00 Copyright (c) 2024 AYUMI : Jurnal Budaya, Bahasa dan Sastra https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/8667 Tradisi dalam Budaya Jepang pada Anime Konohana Kitan Karya Sakuya Amano: Kajian Folklor Sebagian Lisan 2024-08-01T20:17:35+07:00 Rif'ah Fatkhul Ulah [email protected] Cicilia Tantri Suryawati [email protected] <p><em>Japanese culture is rich of traditions and festival that have become an inseparable part of the national identity. One form of these cultural richnesses is matsuri. Matsuri is a festival that honors local gods or celebrates important events in the history of a community in Japan. This tradition continues to live and is passed down from generation to generation, encompassing various aspects such as beliefs, customs and art. This study focuses on the representation of traditional Japanese culture in the anime Konohana Kitan by Sakuya Amano, which represents various elements of Partly Verbal Folklore. Through qualitative analysis, the study analyzes several Japanese cultural traditions such as hanami, kagura dance, Shichi-Go-San, Bon Odori, and religious elements such as Buddhism and Shintoism. This anime does not only serve as a medium of entertainment, but also as an effective educational tool to introduce and preserve Japanese cultural heritage. The results of this study indicate that Konohana Kitan contains many aspects of Partly Verbal Folklore that are still relevant and valued in modern Japanese society, thus making a significant contribution to the preservation and dissemination of traditional Japanese culture.</em></p> <p><strong><em>Keywords:</em></strong><em> anime; partly verbal folklore; tradition.</em></p> 2024-07-31T21:20:22+07:00 Copyright (c) 2024 AYUMI : Jurnal Budaya, Bahasa dan Sastra https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/7750 Penggunaan Aizuchi dalam Percakapan Buku Marugoto Tingkat Madya 1 B1 Topik 7 Bagian 2 2024-08-06T10:48:38+07:00 Aisahtul Ilmiah [email protected] Siti Wulandari [email protected] Rahadiyan Duwi Nugroho [email protected] <p><em>Aizuchi is a term that refers to interjections or short responses used by Japanese people in everyday conversations to indicate that the listener/interlocutor is paying attention or understands what is being said. This research describes the use of aizuchi in conversational texts in Marugoto's book Intermediate Level 1 B1 Topic 7 Part 2 pages 154-155. The purpose of this research is to describe the use of aizuchi in conversation in Japanese. The benefit of this research is that researchers and readers can understand the various types of simple aizuchi used during conversation. The research method used is descriptive qualitative. Data analysis in this research uses Horiguchi theory. Based on the results of data analysis, the use of aizuchi found in this research is in 3 forms, namely, aizuchishi with 7 data, kurikaeshi with 3 data, and iikae with 2 data. First, the aizuchishi form, namely, a (</em><em>あ</em><em>), aa (</em><em>ああ</em><em>), </em><em>ええ</em><em> (ee), </em><em>そうですか</em><em> (sou desu ka), </em><em>そうですね</em><em> (sou desu ne) each with 1 data and hai (</em><em>はい</em><em>) with 2 data. Second, the form of kurikaeshi, namely, getsuyoubi (</em><em>月曜日</em><em>) 1 data and suiyoubi (</em><em>水曜日</em><em>) 2 data.&nbsp; Third, the form of iikae, namely, dougi (</em><em>道着</em><em>) and hakama (</em><em>袴</em><em>) each have 1 data.</em></p> <p><strong><em>Keywords</em></strong><em>: aizuchi</em>; <em>aizuchishi</em>; <em>iikae; Japanese conversation; kurikaeshi.</em></p> <p><em>&nbsp;</em></p> 2024-08-05T18:12:29+07:00 Copyright (c) 2024 AYUMI : Jurnal Budaya, Bahasa dan Sastra https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/8530 Fukugoudoushi dalam Novel Suzume no Tojimari 2024-08-07T12:42:43+07:00 Muhammad Alfian [email protected] Ismi Prihandari [email protected] Efrizal [email protected] Hendri Zuliastutik [email protected] <p><em>This reasearch discusses the structure of fukugoudoushi formation based on the word classes that form it and the meaning relationships arising from the combination of word classes that form the fukugoudoushi. Both problems are analyzed using the theory of Himeno in Nohejl (2016) and the theory of fukugoudoushi forming meaning relationships of Himeno in Hayashi (1993). The method used is narrative qualitative, which discusses the meaning of fukugoudoushi seen in the novel Suzume no Tojimari with narrative chronology. The result of this research found 57 data points for verb and verb pattern (V<sub>1</sub>+V<sub>2</sub>). In addition, there are 9 data points having a V<sub>1</sub> relationship as the determinant of overall meaning, 32 data points having a V<sub>1</sub> relationship followed by a V<sub>2</sub>, and 13 data points having a V<sub>2</sub> relationship that can only be expressed in other words, 3 data points having a V<sub>1</sub> and V<sub>2</sub> meaning relationship when combined becomes difficult to analyze. </em></p> <p><strong><em>Keywords</em></strong><em>: fukugoudoushi; morphology; novel; Suzume no Tojimari.</em></p> 2024-08-07T07:05:53+07:00 Copyright (c) 2024 AYUMI : Jurnal Budaya, Bahasa dan Sastra