Ayumi : Jurnal Budaya, Bahasa dan Sastra https://ejournal.unitomo.ac.id/index.php/ayumi <p><strong>ISSN (Print)</strong>: <a href="http://issn.pdii.lipi.go.id/issn.cgi?daftar&amp;1388381382&amp;1&amp;&amp;">2406-8268 </a>; &nbsp; <strong>ISSN (Online)</strong>: <a href="http://issn.pdii.lipi.go.id/issn.cgi?daftar&amp;1493893480&amp;1&amp;&amp;">2580-2984 </a></p> <p>Accredited based on the Decree of the Minister of Research and Technology/ Head of National Research and Innovation Agency of Republic of Indonesia Number <a href="https://sinta.ristekbrin.go.id/journals/detail?id=6594">85/M/KPT/2020</a> Rank 5 (SINTA 5)</p> <p align="justify">AYUMI Journal is a cultural, language and literature journal published by the Japanese Literature Study Program, Faculty of Letters, Dr. Soetomo University Surabaya. This journal contains research results, scientific articles, and literature studies on Japanese culture, language and literature. We invite Japanese literature study program lecturers, researchers and practitioners to send their works both in Indonesian either English. This journal is published twice a year, which is every March and September. The deadline for submitting manuscripts for the March edition is January and for the September edition in July.</p> Faculty of Letters, Dr. Soetomo University en-US Ayumi : Jurnal Budaya, Bahasa dan Sastra 2406-8268 Digital Media Studies Perspectives on Japan Performing Arts on Instagram @performance.jpa https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/3867 <p><em>The use of digital media to promote local culture has become a new breakthrough in exposing local culture to international countries. In addition to being able to be immediately recognized in other nations, digital media promotion is also less expensive and quicker to implement. This study aims to determine the perspective of Digital Media Studies in Japan Performing Arts. The method used in this research is Krippendorff content analysis on Instagram @performance.jpa by using Japanese dance indicators which include Kabuki, Kasa Odori, Bon Odori, Noh Mai, Onikenbai, Nanazumai, Wadaiko, Arauma, Nihon Buyo. The conclusion of this study shows that Japan Performing Arts introduces Japanese culture through the collaboration of western culture by promoting the Nihon Buyo dance.</em></p> Daniel Susilo Teguh Dwi Putranto Erica Monica A. Garcia ##submission.copyrightStatement## 2021-09-26 2021-09-26 8 2 91 107 10.25139/ayumi.v8i2.3867 Kelas Utama Tanda Tanda Nonverbal pada Iklan PayPay https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/4100 <p class="Abstrak"><em><span lang="IN">This study discusses the classification of the ten classes of nonverbal signs in Japanese video advertisement from PayPay. A nonverbal sign is a sign in the form of a picture or a gesture. In video advertising, the nonverbal signs are designed with the purpose to implicate a recommendation of the product shown. Therefore, it is suggested that using it as an object of research would be befitting. The nonverbal signs found in the advertisement will be classified into ten classes of signs through Peirce's semiotic theory. The result of this study is PayPay have many class types of ten classes of signs that contain the Firstness philosophy foundation. In PayPay, there is a total of five of ten classes of signs realized by 38 signs. The percentages of the classes are inclined toward Qualisign.</span></em></p> Theresa Sunjaya Desy Irmayanti ##submission.copyrightStatement## 2021-09-29 2021-09-29 8 2 108 126 10.25139/ayumi.v8i2.4100 Reikai Kanyouku Idiom “Kuchi” Dalam Website Kotobank.jp https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/4088 <p><em>Kanyouku is a phrase that only has an idiomatic meaning, the meaning cannot be known even if we understand the meaning of each word that makes up the phrase. The focus of this research is on classifying kanyouku using the word kuchi on the kotobank.jp website into the classification of the meaning of kanyouku. The method used is descriptive qualitative with data collection techniques used taking note method. The data found are 35 data which are empirical data. The results of this study show that based on 5 classifications of kanyouku meaning, in kankaku, kanjou wo arawasu kanyouku (感覚・感情を表す慣用句) found 4 data. In karada, seikaku, taido wo arawasu kanyouku (体・性格・態度を表す慣用句) 16 data were found. In Joutai, teido, kachi wo arawasu kanyouku (状態・程度・価値を表す慣用句) no data were found related to this kanyouku classification. In koui, dousa, koudou wo arawasu kanyouku (好意・動作・行動を表す慣用句) 15 data were found. In Shakai, bunka, seikatsu wo arawasu kanyouku ) no data were found related to this kanyouku classification. The meaning of kanyouku contained in the data source states things related to social life in society where there are individuals with various characters, emotions, activities or movements carried out by community members both individually and in small groups in it. The use of idioms in conversation as an indirect form of satire.</em></p> Aditya Himawan Novi Andari ##submission.copyrightStatement## 2021-09-30 2021-09-30 8 2 127 139 10.25139/ayumi.v8i2.4088 Penggunaan Modalitas te mo ii dan te mo kamawanai dalam Percakapan Bahasa Jepang https://ejournal.unitomo.ac.id/index.php/ayumi/article/view/3888 <p><em><span lang="IN">This article analyzes the using of te mo ii and te mo kamawanai modalities in Japanese conversation. This article aims to describe the using of the kinshi-kyoka modalities, namely te mo ii and te mo kamawanai along with a comparison of the functions of the two modalities. The researcher obtained data in the form of dialogue discourse on Japanese dramas, and a YouTube channel with the theme of Japanese language education. In analyzing, the researcher used descriptive method to describe the function of the kinshi-kyoka modality marked with te mo ii and te mo kamawanai. Furthermore, to find out the differences and similarities in the modalities of te mo ii and te mo kamawanai, the researchers used a substitution technique. Based on the results of data analysis, it can be concluded that the modalities te mo ii and te mo kamawanai have differences that lie in their equivalent meaning, but have the same use, namely to ask for or give permission. In its use, the modalities of te mo ii and te mo kamawanai can be substituted for each other in the context of giving permission.</span></em></p> <p>&nbsp;</p> Mutia Damayanti Nabiella Salsabil Rakhma Nur Azzahrani Titus Rossale ##submission.copyrightStatement## 2021-10-12 2021-10-12 8 2 140 155 10.25139/ayumi.v8i2.3888