AYUMI : Jurnal Budaya, Bahasa dan Sastra

Analisis Formula Petualangan dalam Film One Piece: Red Karya Eiichiro Oda

Dimas Eko Saputro, Rommel Utungga Pasopati — Wed, 18 Dec 2024 19:28:35 +0700

The popularity of a literary work is inseparable from the existence of a formula for a particular adventure that is popular with the public and literary audience. This study is conducted using John G. Cawelti's adventure formula theory through qualitative methods and an exploratory approach. The film One Piece: Red is the work of a famous Japanese comic writer named Eiichiro Oda who is also the creator of Monkey D. Luffy's adventure in One Piece. This work tells about Uta's ambition and Monkey D Luffy's adventure in a virtual world full of freedom. This study aims to determine how the adventure formula supports the popularity of the film One Piece: Red. The adventure in this film is supported by the existence of heroes, secondary characters, and supporting backgrounds and music. Likewise, the courage, intelligence, and cooperation of the theme are the three things that play the most roles in the intrinsic theme of this film. In conclusion, the adventure in this film enables this work to be consumed well by the audience along with its popularity.

Keywords: adventure formula; Eiichiro Oda; John G. Cawelti; One Piece Film: Red.

Fungsi Jiwa Tokoh Ichinose Guren dalam Manga Owari no Seraph Karya Kagami Takaya

Lailatus Shafa Shofyta, Isnin Ainie — Sat, 04 Jan 2025 20:44:13 +0700

Soul function is a psychological activity that does not change even though it is in a different environment. Carl G. Jung divided soul functions into two, rational functions and irrational functions. The rational function is a part of the psyche that judges a person based on thoughts or feelings. Thoughts judge things based on right or wrong, while feelings judge things based on pleasure or displeasure. The irrational function is a part of the psyche that observes things based on sensing or intuition. Sensing observes things consciously, while intuition observes things unconsciously. This research aims to describe the soul function of Ichinose Guren in the manga Owari no Seraph by Kagami Takaya. This research used the theory of soul function by Carl G. Jung in the structure of human personality. The research method used descriptive qualitative with data sources in the form of Kagami Takaya's Owari no Seraph manga chapters 1 to 33. The results showed that Ichinose Guren is a character who has a thought-type soul function. Based on the data, Guren has a rational nature with soul functions of thought and feeling more dominant than his irrational function. Among the rational traits, Guren has a dominant thought-type function. This proves that as a leader, Guren is able to use his rational where he judges things based on his thoughts.

Keywords: Ichinose Guren; Jung; manga; soul function.

Makna Kata Umpatan Bahasa Jepang Kisama dan Temee dalam Anime Jojo no Kimyouna Bouken

Budi Septiawan I Made, Ni Wayan Meidariani — Mon, 06 Jan 2025 21:31:03 +0700

This study aims to analyze the meaning of the swear words kisama and temee in Japanese, and to identify the meaning in the context of conversation. The words kisama and temee are second-person pronouns that have very harsh and insulting connotations, in anime these two words are often used in angry or conflict situations. In learning Japanese, confusion often occurs because of the similar meanings of words and not understanding the meaning of words contextually. Based on this background, the researcher examines the meaning of the swear words kisama and temee in Japanese with the theory of semantics a view to logic of language by Hilman Pardede (2016) with conceptual meaning, namely adding different features if the meaning has a feature it is said (+) and if it does not have a feature it is said (-). This paper uses a qualitative approach to analyze the use of the two words kisama and temee. The data source used in this paper comes from the anime entitled Jojo no Kimyouna Bouken. The results of the study show that kisama tends to have a harsh connotation and is used in a more dramatic or extreme context, while temee is more commonly used in informal conversations with a more direct and aggressive nuance. This study also underlines the importance of understanding the context and situation in the use of these two swear words.

Keywords: Japanese; kisama;semantics; temee.

Representasi Folklor Bukan Lisan sebagai Upaya Pelestarian Budaya Tradisional Jepang Melalui Karya Sastra

Rif'ah Fatkhul Ulah, Cicilia Tantri Suryawati — Mon, 06 Jan 2025 21:58:35 +0700

This study examines folklore that often appears in literary works. Folklore itself refers to traditions passed down through generations in various forms, such as oral, partially oral, and non-verbal. This aligns with the concept of traditional culture, encompassing everything narrated, spoken, or inherited from parents or ancestors. Introducing and preserving traditional culture today can be achieved through various media, one of which is comics. This effort aims to ensure that younger generations continue to remember and contribute to preserving traditional culture through various means, including literary works. The goal is to create an understanding of traditional culture or folklore within a literary context. To analyze comics, this research employs the theory of literary anthropology. The study focuses on non-verbal folklore in the comic series Kakuriyo no Yadomeshi Vol. 1-3 by Midori Yuuma, published by Enterbrain, Tokyo, Japan. The first volume was released in 2016, while the second and third volumes followed in 2017. This research uses a qualitative method with descriptive data, which does not involve numbers and is carried out by describing each analysis. The findings reveal that non-verbal folklore in the comic Kakuriyo no Yadomeshi is divided into two forms: material folklore, which includes traditional architecture (ryokan), traditional room interiors, onsen, handicrafts such as Noh masks, traditional Japanese food, clothing, and folk instruments; and non-material folklore, such as gestures (ojigi and seiza). The comic Kakuriyo no Yadomeshi functions not only as an entertainment medium but also as an educational tool and a means of preserving traditional culture. This study demonstrates that a literary works can incorporate numerous elements of non-verbal folklore that remain appreciated in modern Japanese society.

Keywords: Kakuriyo no Yadomeshi; non-verbal folklore; traditional culture.

Penggunaan Joseigo dan Danseigo dalam Manga Kocchimuite! Miiko

Nathania Mariany Vancelin, Satria Ammar Fayadh, Hendri Zuliastutik — Wed, 08 Jan 2025 21:20:37 +0700

Gender identity conflict that Natsuki’s been facing in Kocchimuite! Miiko manga has been reflected in her daily behavior and speech that has been deemed opposing to traditional gender norms within Japanese society. Japanese women and men have different style in daily languages; female’s language is called joseigo and male’s language is called danseigo. This research’s purpose is to analyze how Natsuki’s gender identity represented in her choice of language and social context despite of society’s norms within the manga. Research method within this research is descriptive qualitative in which describe how Natsuki perceive her gender through choice of language and words, as well social context that affect variety of language used within society, through gender sociolinguistic point of view. From total of 59 Natsuki’s dialog within Kocchimuite! Miiko volume 35 manga, 18 data analyzed as danseigo and 3 analyzed as joseigo. The rest of data is considered gender neutral and can be used by both gender. Based on the result, it is safe to say that Natsuki tends to express her gender through her choice of language (in this case danseigo) despite society’s norm in which female supposed to use joseigo. This research might opens future research in psycholinguistic.

Keywords: danseigo; joseigo; language varieties; LGBT; sociolinguistic.

Deiksis Persona dalam Anime Sen To Chihiro no Kamikakushi Karya Hayao Miyazaki

Gita Savitri Nur Kumalasari, Novi Andari — Wed, 08 Jan 2025 21:37:36 +0700

Deixis usage is crucial for comprehending both written and spoken language. It can be categorized using persona deixis, which enables the analysis of speaker groups or other people connected to the topic under investigation. It serves as a greeting to a stranger or acquaintance as well as a mention of the speaker himself. Take the made-up life that appears in anime, for instance. The purpose of this study is to identify persona deixis and the allusions to it that may be found in Hayao Miyazaki's anime Sen to Chihiro no Kamikakushi. The persona deixis that frequently appears in Hayao Miyazaki's anime Sen to Chihiro no Kamikakushi was discovered to be the first person deixis with 46 data as a consequence of this investigation. Furthermore, exophora references with 77 data are the deictic references that frequently occur in Hayao Miyazaki's anime Sen to Chihiro no Kamikakushi. There were 106 pieces of data in all, comprising 46 pieces in the first person, 44 in the second person, 16 in the third person, 77 references to exophora, 12 references to anaphora, and 17 references to cataphora. Exophora-related first- and second-person deixis are frequently encountered in Japanese, indicating that social contact is understood contextually between the speaker and the addressee.

Keywords: anime; deixis; literary works; personal deixis; pragmatics.

Representasi Aksara Siddham sebagai Dewa-Dewi Buddha Pelindung dalam Zodiak Jepang

Safila Anugrahani, Antonius R. Pujo Purnomo — Tue, 28 Jan 2025 16:41:56 +0700

Siddham script, the oldest writing system originating from India and used in Buddhism to represent sacred sounds, serves as the representation of the patron deities in the Japanese zodiac. Applying Stuart Hall's (1997) theory of representation, which posits the idea of language as a medium of meaning creation in culture, this article aims to explain how the Siddham script was adapted by the Japanese people to maintain the traditions of their ancestors in spiritual aspects especially in their zodiac calendar system. This study uses a qualitative descriptive approach according to Abdussamad (2021) with a literature study method to analyze the symbolic relationship between Siddham script and Buddhist deities. The results from the tables and data presented by the researcher prove that the Siddham script, apart from being a religious communication tool, serves as a deeply rooted cultural symbol in Japanese society that serves to connect each individual with the spiritual patron deity of Buddhism according to his or her year of birth. This highlights the importance of the Siddham script in strengthening Japanese religious identity through symbolism and cultural meaning.

Keywords: Buddhist deities; Japanese culture; representations; Siddham script; zodiacs.

Penggunaan Kandoushi Jenis Doui pada Danseigo dan Joseigo dalam Anime Dr. Stone Karya Riichiro Inagaki

Ryan Wahyu Harianto, Titien Wahyu Andarwati — Sat, 01 Feb 2025 15:10:19 +0700

Socially, language is used by society to build and maintain social relationships. Culturally, language is used by society to express the culture it creates. Because the culture between one society and another is different, the language used to express it is also different. One language that has gender differences is Japanese. The data studied focuses on types of kandoushi, and categories of kandoushi based on the gender of the speaker. This research aims to describe the form of kandoushi doui used by male speakers and female speakers. The reason for choosing this research is that there has not been much research discussing the use of kandoushi in danseigo and joseigo. This research was conducted using a qualitative approach with the anime data source Dr. Riichiro Inagaki's Stone Season One was released on July 5 2019 and consists of 24 episodes. The data was analyzed using Masuoka and Takubo's theory. A total of 71 doui-type kandoushi data were found with the forms hai (はい), Ee (ええ), Aa (ああ) Un (うん), and Haa (はあ). From this data, it was found that male speakers tend to use kandoushi Aa (ああ) while female speakers tend to use kandoushi Un (うん) when agreeing with what their interlocutor said.

Keywords: danseigo; doui; Dr. Stone; joseigo; kandoushi.