Menganalisis Jaringan Sosial Penggemar Blackpink Saat Konser di Jakarta
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Keywords:
Digital, fandom, hastag, jaringan, tweet, user
Abstract
The phenomenon of digital fandom behavior that often occurs on social media is always interesting to analyze. Social network analysis is becoming increasingly used to research this phenomenon. Social media plays an important role in providing accurate data for analysis. Twitter is the social media most used in conducting social network analysis. Based on data released (We Are Social, 2022), Twitter is the seventh favorite social media out of 16 social media platforms in the world. In Indonesia itself, according to data (dataindonesia.id, 2023), 24 million of the world's 556 million Twitter users are Indonesian. This research will analyze Black Pink as an extraordinary phenomenon with a fanatical fandom, ahead of their concert in Jakarta 10-11 March 2023. The aim of this research is to conduct a social network analysis specifically on the hashtag BORNPINKinJAKARTA, and the role of social network analysis for each Twitter user account in their relationships. This research uses Digital Fandom Theory with the Descriptive Analysis method with free Netlytics tools. This research found that the hashtag #BORNPINKInJAKARTA was the hashtag most frequently posted by Black Pink fans, which then strengthened the digital fandom theory
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Fransisca, F., & Yoedtadi, M. G. (2022). Analisis Pengaruh Iklan Blackpink terhadap Minat Belanja Online Pada Komunitas Blink. Kiwari, 1(4), Article 4. https://doi.org/10.24912/ki.v1i4.15972
Jayanti, I. G. (2018). BUDAYA POPULER SEBAGAI KOMUNIKASI: DINAMIKA POPSCAFE DAN MEDIA CAPE DI INDONESIA KONTEMPORER.
Katadata. (2023, May 31). Jumlah Pengguna Twitter di Indonesia Capai 14,75 Juta per April 2023, Peringkat Keenam Dunia | Databoks. https://databoks.katadata.co.id/datapublish/2023/05/31/jumlah-pengguna-twitter-di-indonesia-capai-1475-juta-per-april-2023-peringkat-keenam-dunia
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Newa, J. J. (2023, March 11). Konser Blackpink, Hastag BORNPINKinJAKARTA Trending di Twitter—Venomena. https://www.venomena.id/v-lifestyle/9777956620/konser-blackpink-hastag-bornpinkinjakarta-trending-di-twitter
Oktaviani, N., & Zainurossalamia, S. (2021). Pengaruh brand ambassador “blackpink” terhadap purchase intention melalui brand image.
Quirinno, R. S. (2022, September 17). Born Pink dan Shut Down Blackpink Kuasai Tangga Lagu iTunes di Seluruh Dunia. Sindonews.Com. https://lifestyle.sindonews.com/read/887687/157/born-pink-dan-shut-down-blackpink-kuasai-tangga-lagu-itunes-di-seluruh-dunia-1663394986
Sa’diyah, S. (2019). Budaya Penggemar di Era Digital. JURNAL ILMU KOMUNIKASI, 2. https://doi.org/10.33005/jkom.v2i1.34
Thesis, M., & Miao, B. (2020). More Than an Entertainment—Cyberviolence in Digital Fandom Culture. Tilburg University. http://arno.uvt.nl/show.cgi?fid=152652
Tionardus, M. (2021, March 16). Kritikus Musik Jelaskan Alasan BLACKPINK Begitu Populer Secara Global [Kompas Cyber Media]. KOMPAS.com. https://www.kompas.com/hype/read/2021/03/16/203033966/kritikus-musik-jelaskan-alasan-blackpink-begitu-populer-secara-global
Tionardus, M., & Kuwado, F. J. (2021, August 8). Kiprah 5 Tahun BLACKPINK, Raksasa di Dunia Maya dan Menembus Pasar Dunia—JEO Kompas.com. https://jeo.kompas.com/kiprah-5-tahun-blackpink-raksasa-di-dunia-maya-dan-menembus-pasar-dunia
van Ruler, B. (2018). Communication Theory: An Underrated Pillar on Which Strategic Communication Rests. International Journal of Strategic Communication, 12(4), 367–381. https://doi.org/10.1080/1553118X.2018.1452240
We Are Social. (2022, January 26). DIGITAL 2022: ANOTHER YEAR OF BUMPER GROWTH. We Are Social USA. https://wearesocial.com/us/blog/2022/01/digital-2022-another-year-of-bumper-growth-2/
Yin, Y. (2021). “My baby should feel no wronged!”: Digital fandoms and emotional capitalism in China. Global Media and China, 6(4), 460–475. https://doi.org/10.1177/20594364211041681
Published
2024-05-29
How to Cite
Anggorosuryo, I., Berto, A. R., & sri eko, berta. (2024). Menganalisis Jaringan Sosial Penggemar Blackpink Saat Konser di Jakarta. Jurnal Komunikasi Profesional, 8(1), 128 - 150. https://doi.org/10.25139/jkp.v8i1.7634
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