Komika stand up comedy dalam perspektif industri budaya
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KOMIKA STAND UP COMEDY DALAM PERSPEKTIF INDUSTRI BUDAYA (Bahasa Indonesia) downloads: 0
Keywords:
Adorno, industry, culture, comics, comedy
Abstract
This paper reviews the position of stand up comic from the perspective of the culture industry by Theodor Adorno. In Adorno's view, the culture industry is always commercially oriented and therefore works or products that carry the character of artistic or cultural values will not be born because these products exist only to respond to market tastes formed by the capitalists. In this case, the artists will not be able to survive if they stick to idealism. With a qualitative approach and critical paradigm, the author takes stand up comic Pandji Pragiwaksono as a case study. The results of the analysis show that Pandji's figure as comic defeats Adorno's criticism. Pandji proves that art in culture industry is able to be an enlightening product, which do not just fulfill market tastes and follow homogeneous standards that set by capitalists. Especially on Pandji's works, it also has messages that can encourage people to think critically. Pandji also proved that he can make a good living by working as comic.
References
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Guba, E. G., & Lincoln, Y. S. (1981). Effective Evaluation: Improving the Usefulness of Evaluation Results Through Responsive and Naturalistic Approaches. Jossey-Bass Publishers.
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Lindfors, A. (2019). Cultivating Participation and the Varieties of Reflexivity in Stand-Up Comedy. Journal of Linguistic Anthropology, 29(3), 276–293. https://doi.org/10.1111/jola.12223
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Marlin, C., Warouw, D. M. D., & Kalangi, J. . (2017). Fenomena tayangan stand up comedy di kompas tv. E-Journal Acta Diurna, VI(2).
Mintz, L. E. . (1985). Standup Comedy as Social and Cultural Mediation. American Quarterly, 37(1), 71–80.
Neuman, W. L. (2014). Social Research Methods: Qualitative and Quantitative Approaches (Issue 7). Pearson Education Limited.
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Praisra, Hartifiany. (2018). Sejarah Stand Up Comedy Masuk Indonesia. Diakses dari https://republika.co.id/berita/p2n18f282/sejarah-emstand-up-comedyem-masuk-indonesia
Ruiz-gurillo, L. (2019). Subversive humor in Spanish stand-up comedy: Two Case Studies in Spanish. HUMOR: International Journal of Humor Research. https://doi.org/10.1515/humor-2018-0134
Setiawan, T., S. (2018). Pandji Pragiwaksono: Stand Up Comedy Bisa Jadi Profesi. Diakses dari https://entertainment.kompas.com/read/2018/01/16/151200210/pandji-pragiwaksono-stand-up-comedy-bisa-jadi-profesi)
Siswanto, A., & Febriana, P. (2017). Representasi Indonesia dalam Stand Up Comedy ( Analisis Wacana Kritis Norman Fairclough dalam Pertunjukan Spesial Pandji Pragiwaksono “ Mesakke Bangsaku ”) Angger Siswanto Poppy Febriana ( Program Studi Ilmu Komunikasi Universitas Muhammadiyah Sidoarjo Ab. Kanal (Jurnal Ilmu Komunikasi), 5(2), 121–130.
Ahmad Yusril Firdaus, Sulis Setiawati, E. Y. (2018). Satire on Stand Up Comedy “Messake Bangsaku” By Pandji Pragiwaksono. Jurnal Hortatori, 2(2), 80–86. https://ejournal-pbi.unindra.ac.id/index.php/hortatori/article/view/96/80
Ali, A. R. M. (2019). Stand Up Comedy Indonesia Sebagai Medium Satire terhadap Isu Diskriminasi (Studi Semiotik Stand Up Comedy Indonesia Periode 2011-2018 di Kompas TV). Universitas Airlangga.
Benjamin, W. (2018). The work of art in the age of mechanical reproduction. A Museum Studies Approach to Heritage, 226–243. https://doi.org/10.4324/9781351226387-29
Brown, L. B. (1992). Adorno’s Critique of Popular Culture: The Case of Jazz Music. 26(1), 17–31.
Chaniago, R. H. (2018). Analisis Perkembangan Film Komedi Indonesia. Nyimak (Journal of Communication), 1(2), 189–195. https://doi.org/10.31000/nyimak.v1i2.482
Cooper, S. K. (2019). What ’ s so funny ? Audiences of women ’ s stand-up comedy and layered referential viewing : Exploring identity and power. The Communication Review, 22(2), 91–116. https://doi.org/10.1080/10714421.2019.1599666
Crothers, L. (2018). Globalization and American Popular Culture (4th ed.). Rowman & Littlefield.
Crowcroft, J. (2007). Net neutrality: The technical side of the debate: A white paper. Computer Communication Review, 37(1), 49–55. https://doi.org/10.1145/1198255.1198263
Febrian., P., P. (2019). Pandji Pragiwaksono: Semua Demi Uang. Diakses dari https://hot.detik.com/celeb/d-4594944/pandji-pragiwaksono-semua-demi-uang
Filani, I. (2015). Stand-up Comedy as an Activity Type. Israeli Journal of Humor Research, 4(1), 73–97.
Gans, H. J. (1974). Gans-Popular Culture and High Culture: An Analysis and Evaluation of Taste. Basic Book, Inc Publishers.
Ginanjar, D. (2019). Ngobrol Bareng Pandji Pragiwaksono soal Karir dan Keluarga. Diakses dari https://www.jawapos.com/entertainment/infotainment/19/10/2019/ngobrol-bareng-pandji-pragiwaksono-soal-karir-dan-keluarga/
Good News From Indonesia. (2018). Ketika Pandji Bicara Tentang Pragiwaksono. Diakses dari https://www.goodnewsfromindonesia.id/2018/10/25/wawancara-ketika-pandji-bicara-tentang-pragiwaksono
Guba, E. G., & Lincoln, Y. S. (1981). Effective Evaluation: Improving the Usefulness of Evaluation Results Through Responsive and Naturalistic Approaches. Jossey-Bass Publishers.
Horkheimer, M., & Adorno, T. W. (2002). Dialectic of Enlightenment: Philosophical Fragments. Stanford University Press.
Khandizaji, A. (2019). Reading Adorno: The Endless Road. Palgrave Macmillan.
Krissandi, A. D. S., & Setiawan, K. A. C. (2018). Kritik Sosial Stand Up Comedy Indonesia Dalam Tinjauan Prakmatik. Pena : Jurnal Pendidikan Bahasa Dan Sastra, 7(2), 46–59. https://doi.org/10.22437/pena.v7i2.5316
Kuncoro, A. D. (2014). Seksualitas dan Slapstick dalam acara Komedi Sebagai Komodifikasi di Televisi (Studi Analisis Wacana Pada Acara Komedi Pesbukers di ANTV). Universitas Muhammadiyah Malang.
Lindfors, A. (2019). Cultivating Participation and the Varieties of Reflexivity in Stand-Up Comedy. Journal of Linguistic Anthropology, 29(3), 276–293. https://doi.org/10.1111/jola.12223
Long, P., & Wall, T. (2012). Media Studies: Texts, Production, Context (2nd ed.). Routledge.
Marlin, C., Warouw, D. M. D., & Kalangi, J. . (2017). Fenomena tayangan stand up comedy di kompas tv. E-Journal Acta Diurna, VI(2).
Mintz, L. E. . (1985). Standup Comedy as Social and Cultural Mediation. American Quarterly, 37(1), 71–80.
Neuman, W. L. (2014). Social Research Methods: Qualitative and Quantitative Approaches (Issue 7). Pearson Education Limited.
Nusantara, A. G,. (2018). Sisi lain Budaya dalam Masyarakat Industrial. LPM Siar.
Pamugarwati, Azizah. (2020). "Profil Pandji Pragiwaksono, dari Penyiar Radio hingga Komika Ternama". Diakses dari https://entertainment.kompas.com/read/2020/03/06/140020766/profil-pandji-pragiwaksono-dari-penyiar-radio-hingga-komika-ternama?page=all
Praisra, Hartifiany. (2018). Sejarah Stand Up Comedy Masuk Indonesia. Diakses dari https://republika.co.id/berita/p2n18f282/sejarah-emstand-up-comedyem-masuk-indonesia
Ruiz-gurillo, L. (2019). Subversive humor in Spanish stand-up comedy: Two Case Studies in Spanish. HUMOR: International Journal of Humor Research. https://doi.org/10.1515/humor-2018-0134
Setiawan, T., S. (2018). Pandji Pragiwaksono: Stand Up Comedy Bisa Jadi Profesi. Diakses dari https://entertainment.kompas.com/read/2018/01/16/151200210/pandji-pragiwaksono-stand-up-comedy-bisa-jadi-profesi)
Siswanto, A., & Febriana, P. (2017). Representasi Indonesia dalam Stand Up Comedy ( Analisis Wacana Kritis Norman Fairclough dalam Pertunjukan Spesial Pandji Pragiwaksono “ Mesakke Bangsaku ”) Angger Siswanto Poppy Febriana ( Program Studi Ilmu Komunikasi Universitas Muhammadiyah Sidoarjo Ab. Kanal (Jurnal Ilmu Komunikasi), 5(2), 121–130.
